The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time.
Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Goldsworthy's other large-scale installations in the United States include Garden of Stones (2003) at the Museum of Jewish Heritage, New York, Three Cairns (2001-2003) at the Des Moines Art Center, Iowa, Neuberger Cairn (2001) at the Neuberger Museum of Art, Purchase, New York, West Coast Cairn (2002) at the Museum of Contemporary Art, San Diego, Stone River (2001) at Stanford University, Palo Alto, California and Storm King Wall (1999) at the Storm King Art Center in Mountainville, New York.Įvery bid submitted is treated as a maximum bid. Paul Getty Museum, Los Angeles, The Metropolitan Museum or Art, New York and The Tate, Liverpool, among others. In addition to his work “in situ,” Goldsworthy has exhibited temporary museum installations at the J.
Goldsworthy's other large-scale installations in the United States include Garden of Stones (2003) at the Museum of Jewish Heritage, New York, Three Cairns (2001-2003) at the Des Moines Art Center, Iowa, Neuberger Cairn (2001) at the Neuberger Museum of Art, Purchase, New York, West Coast Cairn (2002) at the Museum of Contemporary Art, San Diego, Stone River (2001) at Stanford University, Palo Alto, California and Storm King Wall … Like Smithson, the British artist draws on patterns found in nature-spirals, waves, foams, tessellations, and fractals. Upon completion of each work, he photographs the piece and then allows nature to take its course-Goldsworthy considers decay, destruction and movement a part of his process. Creating both monumental and unassuming outdoor sculptures from found natural materials, Goldsworthy evokes the works of artists such as Robert Smithson and Walter de Maria, in addition to the carefully constructed geometry of Modernist sculpture. An icon of British sculpture, photography, arrangement and installation, Andy Goldsworthy is most often associated with the Land Art movement.
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